Rathnavelu's camera is smooth at certain times gives a jerky feel at others, creating the impression that you're watching an intimate scene within a family - and both work. Harris Jeyaraj's songs have already become chart-busters his background score gels well with the movie. Sometimes you wonder if this was once the heart-throb that acted in skimpy outfits with Surya himself - and you have to laud her for how well she's done her job. And Simran, as Malini, fits her role to the hilt. Divya Spandana earns your respect with her sober demeanour. Sameera Reddy is buxom, full of life and creates a pang in your heart. This one is clearly is magnum opus among the films he's done so far. In every instance, he's subtly altered his body language, the expression in his eyes, the indefinable something that marks the difference between a father and son - and even in the various stages of a son's life, he's managed to alter himself. But when he appears on screen as six-pack moulded Major, the whistles hit the roof. As a drug addict faced with life's greatest trials, he's marvellous. For those who thought a thirty-something could never go back to being a 17-year old, here's a newsflash: with his paltry moustache and perky enthusiasm, Surya's perfect.Īs a love-struck young man who falls flat on his face for Sameera Reddy, he's adorable. Years roll, and there appears Surya, their son - who moves through life, experiencing the same kind of love with Meghna (Sameera Reddy ) - and Priya (Divya Spandana). The moment they set eyes on each other, they know that their fate is bound sealed. Gautham Menon has crafted a moving story, calculated to describe in the minutest details the story of an ideal father: Krishnan is a merry, strong individual who sweeps Malini off her feet (the Mundhinam Parthene song sequence is a rollicking riot from the 70s, with even the old Spencer's Plaza painstakingly re-created digitally). Meanwhile, Krishnan's wife Malini (Simran ) and daughter Shreya make him lie down as he goes into the throes of sickness - and even as he breathes his last, his son remembers all the things that made his father he Who had the Strength of a Thousand Elephants - and his own journey towards becoming one. Even as you appreciate the make-up and the body language that brings an old man to life, there's a trim and fit Major Surya (Surya) in the Indian Army, who is part of a rescue mission. The beginning shots of a doddering Krishnan (Surya) at the fag end of life, still eager to live his life, come with an expectant twist. Rarely do actors - even the good ones - get such scope and screen-space to play out every intricate detail.Īascar Ravichandran's Tamil movie, Vaaranam Aayiram (A thousand Elephants), directed by Gautam Vasudev Menon is almost a love-story with Surya, and no one but Surya at it's epicentre. If Kamal Haasan had his Dasavatharam with oodles of make-up and a blast of Chaos Theory, then this can easily be called Surya's Dasavatharam - minus a couple of incarnations, of course. Discuss Email Print Get latest news on your desktop
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